Hello, DU! The Friday Afternoon Challenge returns with: Feminine Beauty in Portraits!
Perhaps you know these works and their creators?*
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*with credit and deep appreciation for the late Kenneth Clark’s inspiring “Feminine Beauty.”
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...so there's no way it could be Klimt Eastwood. Duh! 
Thanks!! 
So I had to find it the hard way. 
#2 looks like something from revolutionary France. I may be crazy, though. It just has that look.
My ignorance triumphs here.
Always welcome to see the Friday Afternoon Challenge. I am a fan.
That it couldn't just be a painting of a woman who happens to be black. That it has to be a racial statement of some sort.
Edit: But reading about that painting led me to this one 
Which is beautiful but heartbreaking. I like the Portrait much much better.
- Absolutely wonderful! Thank you for posting.
In Tanagra (The Builders, New York), Childe Hassam painted an ambivalent image of modern life. At the turn of the twentieth century, the skyscraper symbolized all that was dynamic and powerful in America. Architects praised the new towers as symbols of mankind's reach for the heavens. But as the United States grew in power and prestige, the workers who provided the nation's muscle also seemed to threaten Hassam's orderly and prosperous world. The artist had won fame and fortune picturing New York for the delight of its moneyed class; the art, music, and fine manners surrounding this "blond Aryan girl" provided a buffer against the unruliness of America's immigrant society. If the skyscraper represents worldly ambition, the other vertical elements in the painting—the lilies, the Hellenistic figurine, the panels of a beautiful oriental screen—suggest a different kind of aspiration. But in 1918, the refined life this woman pursued in her elegant environment was already under attack by the reality of war and the clamor of a new century.
Exhibition Label, Smithsonian American Art Museum, 2006
I had another fine google experience in trying to discover this painting. When you hinted with "object" earlier, I tried woman holding statue, window with blooming garlic, screen with birds, bowl of flowers, yellow dress, window with city view, woman with view of city, and eventually ended up looking thru the works of Frederick Carl Frieseke. After giving up on him, just on a fluke, I clicked on a link of "people also search for" at Frieseke's page...Childe Hassam...and found this Tanagra immediately.
An interesting tidbit about this artist, his painting The Avenue in the Rain finished only one year earlier than Tanagra has been hanging in the White House since JFK was president.
Easter Morning Portrait at a New York Window, by Frederick Childe Hassam, 1921
I looked high and low and six ways from Sunday for that sucker, with no luck.
That was a really tough one, and you got it. 
but an enjoyable time spent!
In the Royal Collection at Windsor Castle.
or Parmigiano; 11 January 1503 – 24 August 1540) was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by elongation of form and includes Vision of Saint Jerome (1527) and the Madonna with the Long Neck (1534).
...
http://en.wikipedia.org/wiki/Parmigianino
so that people will go "Huh?" and then get out their magnifying glasses and eventually discover the tiny little construction workers crawling around on that scaffolding out her window (which is what I had to do).
I found another of Hassam's paintings that seems to project the opposite feel that Tanagra gave to us, focusing on the actual building of the city rather than the cocoon of an apartment or everyday life continuing on amongst the reality of the change that was occurring. If there were a window in one of these buildings, I can imagine the beauty from Tanagra standing securely inside.
The Hovel and the Skyscraper, oil on canvas painting by Frederick Childe Hassam, 1904,
Pennsylvania Academy of the Fine Arts
http://commons.wikimedia.org/wiki/File:'The_Hovel_and_the_Skyscraper'_by_Frederick_Childe_Hassam,_1904.JPG
Another of Hassam's from his window series that I also really like:
The Table Garden, by Childe Hassam, 1910
http://www.wikipaintings.org/en/childe-hassam/the-table-garden
was coming to the forefront in the minds of some of our nation's people, with Roosevelt setting aside bird refuges, the Audubon Society and National Park system being established...John Muir was busy trying to be heard. I don't know either, but after looking at so many of Hassam's striking landscapes, his wonderful garden and flower pictures, I guess that I'd just like to believe that he meant for those birds flying off the screen in Tanagra to also be a part of the beauty he wished could be protected and preserved.
I must thank YOU for presenting such an enjoyable challenge for us, tho I haven't yet even begun to investigate any of the others, aside from the Tanagra and Childe Hassam. I spent the whole time seeking it out yesterday, while the rest were being named, as I'd latched on to it right away since Impressionism is a form that I fool myself into pretending I know a little bit about, ha!
As I'd mentioned before, I was sidetracked during my search by a contemporary of Hassam, Frederick Carl Frieseke, and while many of that guy's paintings didn't really strike my fancy at all, I was happy to find one entitled "The Bird Cage" done in 1910. I'd never seen it or heard of it, before Friday afternoon, but I simply love it, now.
Here is the Frieseke painting which first took me off on a fun wild goose chase, yesterday...she fits right in with your theme of this week's treasure hunt:
The Window, by Frederick Carl Frieseke, oil on canvas, ca. 1915
But she usually just relied on her eyeglasses. Trouble was, one lens didn't do much for her. So it was common to see Mom with her glasses cocked on her head, one lens over an eye, the bad lens up at an angle on her forehead.
But seriously, I can sure relate to that...my left eye is a thousand times worse than my right and I can hardly see to do a crossword anymore, without my handy-dandy antique wooden-handled magnifying glass (and a flashlight, at night or on rainy days).
My daughter's grandma ended up being diagnosed with MS, but before that, back in the '70s when the two of us spent whole days taking in a museum, jaunting around NYC, she started having awful troubles with her eyes. Our day-bag always had to include a humongous old magnifying glass and many a time she'd get the hairy-eyeball from one of the security guards, for getting too up-close and personal with a gazillion dollar work of art.
On the other hand, my own mother, who just died last year at the age of 95, could read the fine print on a friggin' coupon without any glasses, at all. While I was back in Ohio taking care of her, I had to hand her the stuff that was too tiny or too faint for me to see.
And my hat is off to you for finding that one--VERY impressive! I searched long and hard for the Hassam with no luck at all.
I should point out that I knew absolutely nothing about art before seeing CTyankee's Challenges. Now the mention of Hassam makes me think of someone looking out a window. And in searching for #4 and #5 the elongated fingers clued me to narrow my search to Mannerists--a term I never even HEARD of before encountering CTyankee's Friday threads.
This is a far cry from a structured, formal, organized study of art, but I find myself picking up things through a sort of osmosis. Suddenly I'm recognizing periods, styles, artists. I think I've fallen prey to CTyankee's devious designs.
my man is yowling that we have to get into town before the snowstorm hits, so I must log off.
I shall return!
and the "talons" gripping that baby's hand and thought...hmmm, here is one exceptional example of the art form CTyankee isn't normally too thrilled by. And I just learned about a year ago, right here, why she's lukewarm on most Mannerist work (which pretty much defines it) and that one of my all-time favorite paintings was done by one. I knew nothing whatsoever about Mannerists until I went off googling my dear El Greco, after CTyankee nudged me over that creepy cliff.
On the beauty in the Parmigianino, I right away thought her neck seemed a tad too long, along with weird bony fingers...also wondered if that might be a Mannerist so I googled "classical mannerist painting woman with breastplate" and Pallas Athene popped up immediately, the second hit.
I had just come back to type up my answer last night, right when you pegged it 
and was going to include this:
http://www.royalcollection.org.uk/microsites/theartofitaly/object.asp?object=405765&row=7&detail=about
and this, a detail you can click on with magnification where you can actually see that the cameo has "Athene" written on it:
http://it.wikipedia.org/wiki/Minerva_(Parmigianino)
(I don't know why I can't get this "dettaglio" link to post correctly, if I paste the direct link to the "detail" page it shows up with a stupid tongue smiley in it (because of a colon and capital P) and the main untranslated Italian page is showing as an incomplete link, so just copy the whole link into a new window, scroll down to the second pic (dettaglio) and go take a close-up peek at this gal's armor.)
Improve on the model, so to speak...
Isadora
