So what was the New Deal?

The New Deal was a series of domestic programs enacted in the United States between 1933 and 1938, and a few that came later. They included both laws passed by Congress as well as presidential executive orders during the first term (1933–37) of President Franklin D. Roosevelt. The programs were in response to the Great Depression, and focused on what historians call the "3 Rs": Relief, Recovery, and Reform. That is Relief for the unemployed and poor; Recovery of the economy to normal levels; and Reform of the financial system to prevent a repeat depression.[1]

The Great Depression and American Politics
From 1933 until 1941, President Roosevelt’s programs and policies did more than just adjust interest rates, tinker with farm subsidies and create short-term make-work programs. They created a brand-new, if tenuous, political coalition that included white working people, African Americans and left-wing intellectuals. These people rarely shared the same interests–at least, they rarely thought they did–but they did share a powerful belief that an interventionist government was good for their families, the economy and the nation. Their coalition has splintered over time, but many of the New Deal programs that bound them together–Social Security, unemployment insurance and federal agricultural subsidies, for instance–are still with us today.

1934: The Art of the New Deal
An exhibition of Depression-era paintings by federally-funded artists provides a hopeful view of life during economic travails


By Jerry Adler
Smithsonian Magazine | Subscribe
June 2009

In early 1934, the United States was near the depths of what we hope will not go down in history as the First Great Depression. Unemployment was close to 25 percent and even the weather conspired to inflict misery: February was the coldest month on record in the Northeast. As the Federal Emergency Relief Act, a prototype of the New Deal work-relief programs, began to put a few dollars into the pockets of hungry workers, the question arose whether to include artists among the beneficiaries. It wasn't an obvious thing to do; by definition artists had no "jobs" to lose. But Harry Hopkins, whom President Franklin D. Roosevelt put in charge of work relief, settled the matter, saying, "Hell, they've got to eat just like other people!"