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Related: Culture Forums, Support Forums1831 picture of Frankenstein's monster
apparently shocked by looking at his own monster...
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1831 picture of Frankenstein's monster (Original Post)
Bucky
Jan 2018
OP
Tobin S.
(10,418 posts)1. Master...could it not have been a larger specimen?
GeorgeGist
(25,327 posts)2. A little texture to add ...
Wolfson and Levao show that the first edition of Frankenstein of 1818 was packaged as a philosophic novel. Published anonymously, and dedicated to William Godwin, it features more references to the Prometheus legend and Paradise Lost than to such Gothic tropes as perverse sexuality and spectral hauntings. The monster may be Frontispiece_to_Frankenstein_1831stitched together from human and animal parts, yet he is more memorable for being an autodidact who pleads for affection: his humanity is the most surprising, most disturbing, and ultimately most moving aspect of his character. When he is viciously rejected, the monster engages in a murderous rampage but Shelley blames this on his egotistic creator and an uncaring society that refuses to empathize with a suffering fellow creature.
As the editors note, Shelleys contemporaries would have associated the monsters terror with the Terror of the French Revolution. Conservatives likened the Revolution to a monster created by Enlightenment rationalism, whereas radicals perceived it as a justified response to a monstrous ancien régime. The novel raised questions about social justice and reciprocal obligations in a modern, secular age, in the process also condemning slavery. In addition, Shelley criticized gender relations, just as her mother had done in A Vindication of the Rights of Women (1792). Frankensteins creation of life was not simply an act of scientific hubris, but an exposé of patriarchy. By arrogating the creation of life solely to himself, Frankensteins deed of giving birth results in the death of everyone he loved, culminating in his own mortal struggle with his creation in the sterile frigidity of the Arctic.
(Image: the frontispiece to the 1831 edition of Frankenstein, via Wikimedia Commons)http://dish.andrewsullivan.com/2013/05/19/the-unknown-frankenstein/
Thanks for the diversion, Bucky.As the editors note, Shelleys contemporaries would have associated the monsters terror with the Terror of the French Revolution. Conservatives likened the Revolution to a monster created by Enlightenment rationalism, whereas radicals perceived it as a justified response to a monstrous ancien régime. The novel raised questions about social justice and reciprocal obligations in a modern, secular age, in the process also condemning slavery. In addition, Shelley criticized gender relations, just as her mother had done in A Vindication of the Rights of Women (1792). Frankensteins creation of life was not simply an act of scientific hubris, but an exposé of patriarchy. By arrogating the creation of life solely to himself, Frankensteins deed of giving birth results in the death of everyone he loved, culminating in his own mortal struggle with his creation in the sterile frigidity of the Arctic.
(Image: the frontispiece to the 1831 edition of Frankenstein, via Wikimedia Commons)http://dish.andrewsullivan.com/2013/05/19/the-unknown-frankenstein/