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Telegraph: Amnesty film shows agony of US detention techniques [View All]

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grytpype Donating Member (1000+ posts) Send PM | Profile | Ignore Sun Sep-09-07 09:23 PM
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Telegraph: Amnesty film shows agony of US detention techniques
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http://news.independent.co.uk/media/article2947406.ece

Amnesty film shows agony of US detention techniques


Forced on to the balls of his feet, bent double with his hands handcuffed behind his back, the near-naked man shook violently. From beneath the hood, muted moans were audible. It seemed obscene to stare at this apparently frail, vulnerable man, caught in a stress position reminiscent of the images of Iraqi prisoners being interrogated by US soldiers at Baghdad's Abu Ghraib prison. Yet this was not torture. It was art.

In an attempt to draw attention to human rights abuses, Amnesty International has filmed a dancer in the positions captives have been forced to adopt by US troops. The resulting film makes shocking viewing. During a break in filming, Jiva Parthipan, a Sri Lankan performance artist, appeared relieved as he rubbed his limbs, which were aching after just a couple of minutes in a position that suspects in President George Bush's "war on terror" are expected to endure for hours.

...

Amnesty's film, entitled Waiting For The Guards, forms the backbone of a new campaign the charity hopes will draw attention to such interrogation techniques. The film, by Marc Hawker and Ishbel Whitaker, does not attempt to document the mental torture of being kept in a secret location with no contact with the outside world, simply the physical agony of such allegedly innocuous methods. The crew expected it to be an arduous task but were shocked and disturbed by how quickly Parthipan found it impossible to endure the stress position.

"He is somebody who is physically fit but suffered excruciating pain. It was shocking how real and visceral the process was," said Hawker, adding: "He was surprised himself just how quickly the position took over. He was in a lot of pain and felt a lot of emotion.
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