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REAL terrorist threats, a la the scripted plots, like, the bad guys about the detonate a nuke in Los Angeles. But I don't think Bush & co. give one crap about our safety as a people or our national security. I'm sure they're spying on their political and financial enemies, and god knows who they're torturing--probably people who can tie them to Saudi-OBL-9/11 money.
The script about the nuke in L.A. was a classic of the "does the end justify the means?" moral dilemma. It puts the president (generally a good guy) in the position of having to torture his best friend, whom he suspects of knowing about the nuke (with, of course, time being of the essence). I admired the way the script takes you along, right into that moral corner, where you don't see any way out. It could be taken as propaganda--and maybe it was meant to be (I don't really know)--to inure us to the idea of torture, and to plant the notion that it is sometimes "necessary." (--like the old pacifist dilemma--if you had a gun, and if you found yourself next to Adolf Hitler, would you shoot him?) (--tough one, for a pacifist.) Would you torture someone (your friend!) if you were convinced that something he knew could prevent 10 million people from being incinerated?
My own answer to this dilemma is that, yes, in that situation, I might do the violent thing (shoot Hitler, torture my best friend), but I would then, when the crisis was over, turn myself over to the criminal justice system, for judgment, and if I was found guilty of breaking the law, take the punishment. Thus, the unique or unusual emergency situation is addressed, at least on a personal level, and the law is respected. (--kind of like civil disobedience, except that CD eschews any violent action; I mean, in the public acceptance of legal consequences).
Jack Bauer isn't too much different than all sorts of previous characters in literature, film and TV, and in popular mythology--both good and bad (but all in the heroic mode)--who defy convention, despise bureaucracy, respond to things with real human feeling rather than adhering to rules and restrictions, have great physical courage, are exceedingly clever (I'm thinking of the prototype, Odysseus), and also have great stamina, and persistence, and their own ad hoc sense of honor and ethics. Bauer just has all this on speed. The pace of the show--from crisis to crisis--is quite amazing (and exhausting).
I, too, am a Constitutionalist, of the TRUE "strict constructionist" kind: don't mess with our civil and human rights. I cringe at the lack of due process in 24 Hours, and at the manipulations of the scriptwriters to make due process impossible. Threat after threat, all with time of the essence. Crisis after crisis. Secret government running it all. Keeping us stupid, peon citizens "safe."
It is, indeed, the ultimate cop show--where every rogue action and violation of peoples' rights is justified by the script, and the protagonist who would "terrorize" the terrorists with a beheading is considered an audacious hero--wild, out of control, but right on. It's also justified by his personal courage--his willingness to confront extremely dangerous situations on his own, and his reliance on his own wits.
I really don't think there is any comparison to Bush--who is a physical and moral coward, who relies on others to give him a grandiose idea of himself, and is a mean, egocentric bully, and a puppet, not at all intelligent and self-reliant.
I think 24 Hours is a young man's fantasy. And maybe it does no harm--and provides some kind of psychic release, for all the crap the Bushites try to fill peoples' heads with. Fears. Dreads. Threats to American manhood. Worry about loved ones in the dangerous, uncivil environment that our Corporate Rulers have created--destroying communities, and alienating people from each other. But it certainly does promote the notion of official vigilante-ism, without ever (or rarely) showing what such organizations and their rogue agents actually have done in the real world (assassinating the democratically elected leftist president of Chile, toppling the democratically elected president of Iran and installing the horrible Shah, running guns to people who were assassinating teachers and mayors in Nicaragua, instigating a war in Vietnam that ended with the slaughter of upwards of 2 million Southeast Asians, etc.).
It is not realistic. It is full of fear. It is suspenseful and entertaining, to some extent (although after a while, the endless crises get to be a drag). And it does contain some subliminal racist stuff. (I got real tired of the stupid blond wife and stupid blond daughter, ever in peril. Talk about stereotypes! I can't recall if they hit on Arabs. I don't think they do. The bad guys I recall are eastern Europeans, I think--and also several US double agents and Machiavellian types, one of which is the black president's black wife, a totally fascinating mix of good and evil, and a fabulous bit of acting. )
I like the 1st amendment as much as I do the 4th. I abhor censorship. I know that the 1st amendment is a bit problematic when it comes to corporate news and entertainment monopolies, especially in view of the clearly propagandistic function of their "news" departments. But I don't think the answer is to avoid their entertainments (if you enjoy them), or to organize boycotts of them (if you object to their content), or try to censor them. I strongly believe in the 1st amendment when it comes to artistic productions, even if they are corporate funded. (A secondary boycott, targeting the news departments, would be okay with me, though. These people have public responsibilities, having to do with use of our public airwaves, which should be enforced.)
However, I don't believe that their corporate political campaign contributions are "free speech," and I don't think corporations are entitled to "free speech" protections on false advertising. They are not human beings; they have no rights at all, as a matter of fact, and should be de-chartered, dismantled and their assets seized, if they are not serving the public interest. I would bust up their monopolies over news and entertainment, but I wouldn't censor individual works.
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