Tourists and Torturers (Luc Sante in NYT on the abusers' attitude)

http://www.nytimes.com/2004/05/11/opinion/11SANT.html

Tourists and Torturers
By LUC SANTE

Published: May 11, 2004

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Leaving aside the question of how anyone could have perpetrated the horrors depicted in those pictures, you can't help but wonder why American soldiers would incriminate themselves by posing next to their handiwork. Americans don't seem to have a long tradition of that sort of thing. I can't offhand recall having seen comparable images from any recent wars, although before the digital era amateur photographs were harder to spread. There have been many atrocity photographs over the years, of course — the worst I've ever seen were taken in Algeria in 1961, and once when I was a child another kid found and showed off his father's cache of pictures from the Pacific Theater in World War II, which shook me so badly that I can't remember with any certainty what they depicted. I'm pretty sure, though, that they did not show anyone grinning and making self-congratulatory gestures.

The pictures from Abu Ghraib are trophy shots. The American soldiers included in them look exactly as if they were standing next to a gutted buck or a 10-foot marlin. That incongruity is not the least striking aspect of the pictures. The first shot I saw, of Specialist Charles A. Graner and Pfc. Lynndie R. England flashing thumbs up behind a pile of their naked victims, was so jarring that for a few seconds I took it for a montage. When I registered what I was seeing, I was reminded of something. There was something familiar about that jaunty insouciance, that unabashed triumph at having inflicted misery upon other humans. And then I remembered: the last time I had seen that conjunction of elements was in photographs of lynchings.

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That prison guards would pose captives — primarily noncombatants, low-level riffraff — in re-enactments of cable TV smut for the benefit of their friends back home emerges from the mode of thinking that has prevented an accounting of civilian deaths in Iraq since the beginning of the war. If civilian deaths are not recorded, let alone published, it must be because they do not matter, and if they do not matter it must be because the Iraqis are beneath notice. And that must mean that anything done to them is permissible, as long as it does not create publicity that would embarrass the Bush administration. The possible consequences of the Abu Ghraib archive are numerous, many of them horrifying. Perhaps, though, the digital camera will haunt the future career of George W. Bush the way the tape recorder sealed the fate of Richard Nixon.