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of the film is slightly off. The movie is definitely NOT arguing that torture is the most effective countermeasure to "terror" (which is so obviously NOT an argument a man who fought in the Italian resistance against fascists would make).
In fact, from the juxtapostion between the scene the slate reporter quoted and the one that follows, I think the directors argument about the value of torture is pretty clear. He's saying that no matter how justified you think the methods of furthering imperialism are, you are totally fucked up if you have to use torture to achieve your political goals.
Matthieu is so obviously not the hero in the movie, and the things that come out of his mouth aren't supposed to be the films arguments about how the world works. Matthieu is handsome and stylish and a hero, but that's all a comentary on how fascism operates. It's sad that some people are so clueless that they'd watch the movie and sympathize with Matthieu rather than with LaPointe and the resistance.
Also, it's strange that the Slate reviewer takes the Matthieu quote and tries to apply it to Iraq, introducing it with the statement "To raise such issues is not necessarily to condemn the continued presence of troops in Iraq." The entire argument of the movie is that if you need to torture people in their own country, you don't belong in their country (as you'll see from the script below).
You can't take Matthieu's quote and try to break it down into a moral conundrum for deciding what you do when you're occupying a country. It misses the point. As I said, the film is arguing that if you're confronted with moral conundrums at all, you don't belong in the country you're occupying.
Here's the script:
MATHIEU And those who explode bombs in public places, do they perhaps respect the law? When you asked that question to Ben M'Hidi, remember what he said? No, gentlemen, believe me, it is a vicious circle. And we could discuss the problem for hours without reaching any conclusions. Because the problem does not lie here. The problem is: the NLF wants us to leave Algeria and we want to remain. Now, it seems to me that, despite varying shades of opinion, you all agree that we must remain. When the rebellion first began, there were not even shades of opinion. All the newspapers, even the left-wing ones wanted the rebellion suppressed. And we were sent here for this very reason. And we are neither madmen nor sadists, gentlemen. Those who call us fascists today, forget the contribution that many of us made to the Resistance. Those who call us Nazis, do not know that among us there are survivors of Dachau and Buchenwald. We are soldiers and our only duty is to win. Therefore, to be precise, I would now like to ask you a question: Should France remain in Algeria? If you answer "yes," then you must accept all the necessary consequences.
113 CASBAH HOUSES. TORTURE SEQUENCE. INSIDE. DAY.
Casbah, bedrooms, kitchens, bathrooms.
Sharp, white light; motionless faces, figures paused midway in gestures.
Women, children ... glassy eyes ...
Background motionless like in a landscape.
Algerians ... wild eyes ... animals being led to slaughter.
Paras, their every gesture measured exactly, perfection achieved.
An Algerian is lying down on the table, his arms and ankles bound with belts.
An Algerian, in the form of a wheel, an iron bar in the curvature of his knees, his ankles tied to his wrists.
Electrical wires wrenched from their outlets, a generator with crank, extended pliers with their prongs open wide, the tops of the wires held between two prongs, the pliers applied to a naked body, the most sensitive parts: lips, tongue, ears, nipples, heart, sexual organs ...
Faucets, tubing, buckets, funnels, a mouth forced open, held open, with a wooden wedge, tubing in the mouth, rags scattered around, water, a belly that is swelling . .. The torture is precise in every detail, and every detail points to a technique that is taken apart and reassembled.
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