Esperanto opened the door for me in 1971, when I was 13 years of age. It had no real connection to "the 60s", but it introduced me to a world that was far bigger than America. All of the sudden, I had a pen-pal in Yugoslavia, who knew very little English -- and I didn't know a word of Serbocroatian.
I love America. But I also love the world, a love that was inspired by something as trivial as a quirky international language. My appreciation of that world grew far beyond the million or so people who are conversant in Esperanto.
Music, language, any cultural or artistic endeavor at all, can open the world up. And, of course, so does technology, from the invention of language itself, to the invention of the telegraph, the radio, cinema, TV, computers, the Internet and encoded music (like MP3s and similar files).
The Internet will eventually open up Africa, too. Mark Shuttlesworth, a white South African who has long been working to empower all Africans, started the Ubuntu Linux project to promote Linux on his continent and across the world. The MIT media lab recently designed a cheap Linux computer for third-world kids. Shuttlesworth got rich as an early Internet entrepreneur, and is motivated to "give back", as are many others like him.
People like Bono, Kepa Junkera, Shakira, Milton Nascimento, Miriam Makeba, and
Hugh Masekela -- six musicians representing four different generations from around the world -- have taken the first steps. We've traditionally ignored them -- but we were idiots.
But music (or art or culture, etc.) can't do it alone, which is what we learned at great price between 1963 and just recently. Nor can business. This current generation of politically-aware musicians has got to realize that; to learn from the mistakes of the dinosaurs of my age and somewhat older and younger. Our mistakes made "revolutionary music" into a bad, sad, joke. And we also forgot that music had often been used by tyrants for propaganda purposes. We lost control of our own mojo. The price has been high, and is being extracted by people from the RIAA to the international criminal underworld. If technology gives us another chance, we can't forget that the politics and popular control of the law will have to come along whole, not as a hopeful outgrowth of good music.
--p!