TV plans tasteful coverage of Saddam execution

'Did you go and see the prisoners hanged yesterday?' said
Syme.
'I was working,' said Winston indifferently. 'I shall see
it on the flicks, I suppose.'
'A very inadequate substitute,' said Syme.
His mocking eyes roved over Winston's face. 'I know you,'
the eyes seemed to say, 'I see through you. I know very well
why you didn't go to see those prisoners hanged.' In an
intellectual way, Syme was venomously orthodox. He would talk
with a disagreeable gloating satisfaction of helicopter raids
on enemy villages, and trials and confessions of
thought-criminals, the executions in the cellars of the
Ministry of Love. Talking to him was largely a matter of
getting him away from such subjects and entangling him, if
possible, in the technicalities of Newspeak, on which he was
authoritative and interesting. Winston turned his head a little
aside to avoid the scrutiny of the large dark eyes.
'It was a good hanging,' said Syme reminiscently. 'I think
it spoils it when they tie their feet together. I like to see
them kicking. And above all, at the end, the tongue sticking
right out, and blue a quite bright blue. That's the detail that
appeals to me.'

One of Eugene Ionesco’s first full-length plays, Rhinoceros demonstrates the playwright’s anxiety about the spread of inhuman totalitarian tendencies in society. Inspired by Ionesco’s personal experiences with fascism during World War II, this absurdist drama depicts the struggle of one man to maintain his identity and integrity alone in a world where all others have succumbed to the “beauty” of brute force and violence.

...they are lovin it.