Soderbergh and Che, Provocateurs

CANNES JOURNAL
Soderbergh and Che, Provocateurs
By A. O. SCOTT

CANNES, France — On Wednesday morning festivalgoers — or at least the hordes of journalists who stumble into the Salle Lumière every day at 8:30 after a few hours’ sleep and a hasty café au lait — were given a bit of a break. In a departure, there was no competition press screening on the schedule, which provided some of us with an opportunity to glance at the trades, have a second café au lait and rest our eyes in anticipation of a long night of revolutionary struggle.

Starting at 6:30 in the evening there would be two almost simultaneous screenings of “Che,” Steven Soderbergh’s nearly four-and-a-half-hour exploration of the life of Ernesto Guevara, the asthmatic Argentine doctor who became a leader of Castro’s revolution and, posthumously, a boon to the T-shirt vendors of the world.

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There is a lot, however, that the audience will not learn from this big movie, which has some big problems as well as major virtues. In between the two periods covered in “Che,” Guevara was an important player in the Castro government, but his brutal role in turning a revolutionary movement into a dictatorship goes virtually unmentioned. This, along with Benicio Del Toro’s soulful and charismatic performance, allows Mr. Soderbergh to preserve the romantic notion of Guevara as a martyr and an iconic figure, an idealistic champion of the poor and oppressed. By now, though, this image seems at best naïve and incomplete, at worst sentimental and dishonest. More to the point, perhaps, it is not very interesting.

But “Che” itself is interesting, partly because it has the power to provoke some serious argument — about its own tactics and methods, as well as those of its subject. Whether American audiences will have a chance to participate in that argument is, for the moment, an open question. The mood here among buyers has been extremely cautious, and as of this writing, distributors have balked at spending $8 million to $10 million (the reported asking price for “Che”) on a 258-minute movie to be released in two parts, with subtitles.

http://www.nytimes.com/2008/05/23/movies/23cann.html?_r=1&oref=slogin&pagewanted=print